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There are moments when both the characters and audience need to give serious thought as to what is best in the given situation, and it certainly helps to have Heigl and Duhamel show us the outcome. “Life as We Know It” is not without those little moments that real life also gives us.
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KATHERINE HEIGL BABY MOVIE MOVIE
This is a wonderfully bright and upbeat movie that really speaks to the selflessness that many people have when it comes to helping and looking after those we care most about. The cast works with amazing cohesion and sense of comedic timing throughout the entirety of the film. With help from director Greg Berlanti and writers Ian Deitchman and Kristin Rusk Robinson, the entire cast of “Life as We Know It” present very real characters with very real emotion. Unlike most films that fit this recipe, “Life as We Know It” does an exceptional job at showing how a real relationship could develop from such a random and chaotic situation. “Life as We Know It” does what every romantic comedy needs to do and more. And, given the recent success that Duhamel has had with light-hearted romantic comedies, one can certainly see him returning to either play opposite Heigl again, or perhaps another young Hollywood star. Thankfully for Heigl, this follow-up to her most recent release “Killers” re-instates her as not only a leading lady in Hollywood, but also one that her audience can count on to make better films. “Life as We Know It” even manages to present a comical, yet compassionate Child Protective Service agent. In an interview with Vanity Fair following the release of 2007s Knocked Up, which she starred in alongside Seth Rogen, Heigl called the movie 'a little sexist,' adding: 'It paints the women as shrews, as humorless and uptight, and it paints the men as lovable, goofy, fun-loving guys.It exaggerated the characters, and I had a hard time with it on some days. With a stellar supporting cast, the two juggle both their careers and baby Sophie with relative ease.
KATHERINE HEIGL BABY MOVIE FULL
Heigl and Duhamel are named the godparents of now orphaned baby Sophie and are given full custody.Īs anyone would in a similar situation, these two struggle with the fine details of the situation, but they are not alone. This comes with the news of the unexpected deaths of their mutual friends, the Novaks. There is a shared disdain (and obvious attraction) for one another that the audience can comfortably enjoy laughing at.Īs is the case with most romantic comedies, something dreadful has to present itself to counter all the light-hearted tomfoolery. Opening on a blind date between Holly Berenson (Heigl), an up and coming caterer, and Eric Messer (Duhamel), a promising network sports director and overall “dude,” the two immediately set the mood for the rest of the film.